My interest in Hindu/Buddhist philosophy took root in 1992, when I visited Bali, Indonesia for the first time. Bali is a unique place, smaller than Rhode Island but with a language and religion entirely its own. Before Indonesia became the Muslim nation we know today, there were two major Hindu/Buddhist empires, the Mataram and the Majapahit, dating back to the 4th century C.E. Bali never succumbed to the spread of Islam, and still pursues a religious practice akin to the medieval society that built Borobudur.
Since leaving Bali that first time, I’ve sustained an engagement with Indonesian art for over 30 years, all the while developing my career as a photographer. My connection to Indonesia has taken a lot of forms, but one of the things I keep coming back to is the Hindu/Buddhist (the Balinese don’t make a distinction between the two) texts and traditions I first learned about in Bali. My photography, too, comes in lots of shapes and sizes, sometimes overlapping with Indonesia but not always. The work featured in Bright, Bright Day was made largely between 2019-2020. These were hard years for me, but I found sustenance working for the American Institute for Indonesian Studies, taking weekly yoga classes, finding new love, reading translations of the Vedas and Upanishads, and by keeping a collage diary made using small, instant photographs combined with fragments from my readings. The photographs were made with a plastic camera intended for children and the written fragments expanded beyond just these texts, but the intent was always the same - to find new ways of discovering innocence again in such a difficult world. The collages, I think, are best understood as sketches or drawings, work developed quickly to free new possibilities. This exhibition coincides with the launch of my newest book, A History of Photography in Indonesia. These bodies of work don’t appear to have too much in common, but the majority of the text was developed during the time I made the collages in the series Bright, Bright Day.
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Bright, Bright Day is both a small edition book and a collection of text/image collages. Inspired by my interest in Hindu/Buddhist philosophy, this work is a visual diary documenting some major life changes. The exhibition will be on view at Artist Alley from February 11-March 11. See the dates below for specific events
On Thursday February 16th from 2-3:30, I will be sharing some of my work from Indonesia in the Cornell Rare and Manuscript Collections, Kroch Library. This lecture coincides with the release of my book, A History of Photography in Indonesia: From the Colonial Era to the Digital Age, and will focus on collections held at Cornell that are included in the book. The event is free and open to the public. Specific details about time and location below.
Inspired by Wisconsin Death Trip, the cult classic book by Michael Lesy, Magnum photographer Alessandra Sanguinetti's newest book Some Say Ice provides a beautiful yet harsh look at the culture of interior American. Published by MACK Books, my review of it was published by Photo Eye and is available here.
Together with musician Chris Miller and movement artist Julie Nathanielsz, I am presenting some of my work from Indonesia at the The Cherry Studio Space (located on the bottom floor of Arthaus!). This event will include photographs, films, talks, and performance, each of sharing how Indonesia has helped shape our work and self-conceptions as artists.
This event will be held at The Cherry Studio. Entrance is through the main door of Arthaus, and the studio is just to the right as you enter. For any questions please text or email Brian Arnold - 607.382.9646 or briancarnold@gmail.com. Recently published by Steidl, Book Building by Dayanita Singh is a retrospective monograph that explores the artist's innovative approach to bookmaking. My review of the book was published by Photo Eye, and is available here.
Recently published by Steidl and the Gordon Parks Foundation, Stokely Carmichael and Black Power showcases Gordon Parks' photographs of the leader, educator and politician Stokely Carmichael. My review of the book is available on the Photo Eye Blog.
Shortlisted for the Aperture Photobook of the Year award, Curran Hatleberg's newest book, River's Dream, looks at communities in the Deep South, largely in Northern Florida. My review of the book is available on the Photo Eye blog.
Artist Darrel Ellis died at an early age, a casualty of the AIDS epidemic. He left behind a truly unique body of work, implementing experimental approaches to photography and drawing. Visual AIDS, an organizing advocating for a better understanding of artists working under the threat of AIDS, recently published a lovely monograph documenting the incredible work Ellis produced in a short period of time. My full review of the book is available on the Photo Eye blog.
I always love visiting IVAA, and grateful for the chance to share some of my work with the arts community in Yogyakarta.
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AuthorBrian Arnold is a photographer, educator, writer, and musician living in Ithaca, NY. For more information, please visit my other blog, A Photographer's Journal. Archives
September 2023
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